Zazemleniye / Grounding
GROUND SOLYANKA GALLERY
My Role in the Project: Artist, Assistant Director, Performer
Project overview
The project represents a collective art interpretation of the Ivanovskiye Gorki district in Moscow, with a special focus on immersing in the historical atmosphere of the place, exploring social processes and language through art.

Part 1: Exhibition & Performances
Seven unique spaces-installation from seven art-groups inspired by the history and characters of Ivanovskiye Gorki. Small performances within each bring the concepts to life.

Part 2: Sound Opera
A collaborative performance built on the sound of objects and vocalizations
Curators: Katya Bochavar, Polina Bakhtina, Galya Solodovnikova
Composer: Nikolay Popov
Director: Vladimir Bocharov
Artists and Performers:
Nastya Alieva, Masha Buianova, Ida Ermoshina, Katya Kletsina, Vlada Kolesnikova, Anton Levdikov, Anastasia Mitkaleva, Marina Motornaya, Katya Novak, Kuvandyk Ruzumov, Lena Sakirko, Katya Kharchenko, Sasha Khakhan, Dasha Shift
Part 1: Exhibition & Performances
Research Location - Brain Institute
Concept: Like the characters in our location, we delved into the world of human thinking. At the core of our work is a real process of studying the brain by real scientists. We've turned their thinking inside out and, just as the brain forms new neural connections, we've woven a tapestry that visualizes the process of its functioning.

Artistic solution: We created a Gobelin based on a scientist's verbalization every thought during his work process. By recording his words, emotions and actions, we developed a code to translate this data into a mental map, visualizing the brain’s workings. The space was designed to evoke a medical, surgical atmosphere, enhancing the immersion.
Part 2: Sound Opera
A ritual of bread, voice, and collective memory
Concept: In this performance, the act of kneading dough becomes both ritual and metaphor. Throughout the piece, performers attempt to create a “kolobok” — a round bread figure that, in our narrative, symbolizes the missing head of a prisoner from the previous chapter. At the same time, it embodies the collective consciousness of society.

The performance space is transformed into a sonic instrument: microphones are attached to the table, utensils, and kitchen tools, amplifying every sound. These raw noises are then picked up and developed by a composer in real time, so that the process of making dough becomes a live musical composition.

As the work unfolds, performers begin to vocalize the Old Slavic alphabet, exploring and rediscovering it through voice. This act of “re-assembling language” parallels the physical creation of the kolobok — a “new head,” a “new consciousness” for society. In shaping it, we seek to rework the past and imagine a different destiny for our collective future.
Soap Opera
The project also took part in the special program “Soap Opera” within the framework of the VII Moscow International Biennale for Young Art. “Soap Opera” is a multi-component work consisting of nineteen musical-dance pieces and performances, presented inside Semyon Motolyants’s site-specific installation “Unstable Construction Made of Household Soap.”

Format: Online performance
Concept and Direction: Katya Bochavar
Made on
Tilda